Faultline Bourbon Returns

It's back in the house! A new batch has landed and we're putting them out on the shelf. We had to raise the price a few bucks due to decreased supply and increased costs as a result, but we still think it's a fine whiskey for the price. Many thanks to our partners at Smooth Ambler for getting another shipment out so quickly. If you haven't had the Faultline Bourbon yet, what are you waiting for? An open invitation? I'm inviting you.

Faultline Straight Bourbon Whiskey $44.99

-David Driscoll


Konichiwa Fukano

Can't get enough Japanese whisky? What about Japanese whisky made with rice? We've been sitting on these barrel samples for quite some time, but now it seems we're about to get our first look at Fukano here at K&L. It should look something like this:

Stay tuned!

-David Driscoll


Spring is in the Air – Part II

I had had this appointment with Cameron Mackenzie and Stuart Gregor set on the books for some time now. I kept checking my calendar reminder on Outlook for February and I always noticed that one isolated event on Friday the 5th: "Meet with Four Pillars gin." How did that even get set up? I couldn't remember. I think it had something to do with my friend Ryan Woodhouse, our Australian wine buyer who somehow had a connection to these guys. Four Pillars is an Australian gin company and they were going to be in town for the Super Bowl. They wanted to drop by. Something like that. I'm terribly unorganized, so I couldn't really remember to be sure. But I remembered that it was important.

Someone asked me about the "craft" spirits industry for the 900th time last week, wondering what my thoughts were about the genre's evolution. I said: "Imagine a bunch of businessmen who were successful in their respective sectors cashing out of whatever profession they were originally part of and reinvesting that money back into a distillery. Except that the distillery and the spirits business itself is just another investment; it's all just another exciting opportunity to build something up and cash out once again." Not that I have a problem with any of that. I'm all for new blood in the booze biz and if you want to believe in the new American dream, who am I to stop you? I just can't deal with the ridiculous pageantry that goes along with it—often literally like a pageant where, much like the beauty queens on stage, these guys deliver hackneyed, rehearsed lines about their life's passion and how all they really ever cared about since childhood was quality liquor. Unlike the nature of many of these appointments, however, Cameron and Stuart walked in with three gin bottles, put them on the table, and let the booze do the talking. They never mentioned one word about their life-long desire to own a craft distillery, or how they wanted to change the world with booze. They opened three bottles, poured each one into a glass, and said: "Taste that."

I took a sip of each and found myself able to summarize the experience quickly and succinctly in about eight words: these gins are really, really, really fucking good.

There's a reason that gin and not whisky distilleries continue to pop up in foreign countries all over the planet: it's much easier to create a unique sense of place within the flavors of gin. Look at the St. George Terroir gin—an expression that uses spruce and other local botanicals entirely from Mt. Tam. Or the Bruichladdich Botanist that sources all of its flavorings from Islay. Or even the Principe de los Apostoles that uses yerba mate from Argentina. With Four Pillars, you've got a distillery in Australia dedicated almost entirely to gin using local and native ingredients like lemon myrtle, pepperberry leaf, and various Australian citrus. If you're going to be the 547th new craft gin to the American market in 2016, you'd better have a plan to stand out from the rest of the crowd. In the case of Four Pillars, the flavors speak for themselves. These gins leap out of the glass, smack your taste buds upside the head, and leave your tongue begging for more. They explode with citrus, force you to ponder their complexity, then have you racing to figure out what cocktail to make with them.

These are the type of appointments I look forward to. These are the arrivals I wait in anticipation of. Look for Four Pillars at K&L this Spring.

-David Driscoll


Spring is in the Air

Punxsutawney Phil didn't see his shadow this past Groundhog's Day so it looks like we're in the clear. Weather forecasters are predicting a balmy 71 degrees for the Super Bowl this Sunday, which means it's time to break out the white spirits and ice cubes—it's time for an early season gin cocktail! I decided to party a little too hearty last night, pouring glassfuls of both the Gin Mare and Faultline Gins respectively until I was forced to retire early. My mother, who like her mother is a bit obsessive with her gin martinis, has been actually blending her gins for the past few years and is now doing a recipe with 50% Beefeater's and 50% Faultline (she has another one that uses Monkey 47 in certain quantities). She called me yesterday to tell me how much she's been enjoying the "Jaime Hernandez Edition" designed by St. George distiller Dave Smith. In return, I told her about Gin Mare—a Spanish gin we've finally got on the shelf distilled from olives, thyme, rosemary, and basil. We traded recipes and then went off to practice with our respective bottles.

If you haven't had the Gin Mare yet, you need to add this to your list. Back in Edinburgh a few years back I filled my suitcase with both this bottle and the Monkey 47 as neither was yet available in the U.S. It's both savory and delicate on the palate with only subtle hints of that briney goodness. Think of it as a dirty martini that's naturally dirty! The Faultline, however, continues to impress me and only further reminds me of how good a distiller Dave is. I think with all the hoopla of the artwork and the limited edition vinyl that originally came with it, we forgot to talk about how amazing the spirit is. I had the bartenders from Whitechapel come in recently to express their love and ask if they could potentially work with the product at their newly-established gin bar downtown (alas, there's no legal way of selling it to them). It's like a far more-drinkable version of the Monkey with hints of red berries on the initial entry that give way to an almost creamy mouthfeel accented by vibrant Indian spices. I think it needs to be re-introduced this Spring because it's by far the most exciting gin on our shelf and the most versatile. 

But how many people are ready to give up whisky for gin at this point? Just me? Anyone? Buehler?

-David Driscoll


Drink & Watch: The Revenent

Some people enjoying drinking American whiskey because of the sometimes rugged, frontier image we associate with it. Hell—Bulleit Bourbon even refers to itself as "frontier whiskey". If you're one of those guys who fantasizes about heading into the American wilderness, living off the land, and sipping from a flask next to a blazing campfire, then you need to go see The Revenent. While I'll admit that I do find the whole idea rather romantic, sneaking a bottle into the movie theater to watch it all on the big screen is as close as I want to get to the mountains right now. I can always just take a pull from my Filson copper flask and imagine I'm there with Leo himself. That's exactly what I did last night. Fill 'er up!

There are no punches pulled in Alejandro González Iñárritu's latest flick—his follow up to the Oscar-winning Birdman. If you can't stomach both the stress and the gore, then maybe this isn't your cup of tea. Or maybe that just means you need to pack a little extra juice in your pocket. I found myself gritting my teeth for most of the picture—and it's about two and a half hours of non-stop turmoil. Much like some of the men who get sliced up in the film, I was going to either need a wooden stick to bite down on or a shot of something strong to endure all the damage. I went for the latter. But besides the fine on-screen performances from both Mr. Dicaprio and Tom Hardy, the scenery and the way the film is shot are simply spellbinding. The mist, the fog, the snow, the raging rivers, the majestic mountains—they're all presented in glorious fashion. This is not a film you'll want to wait for on DVD. You've gotta go see this one in the theater. And you're probably gonna wanna bring something high in proof along with you.

-David Driscoll